With age comes wisdom,
but sometimes age comes alone.
~ Oscar Wilde
As I start this post, there are just a few more hours left until my birthday.
Birthdays for me are still a time of celebration. They are also a time of reflection:
Where have I been?
What have I done?
Where am I going?
This time around the sun, I find myself thinking about the life advice that’s been passed along to me and that I have, in turn, passed along to others over the years. It’s an ongoing process. Sifting. Sorting. Testing. Honing. Much has been discarded. What I’ve kept has become all the more precious.
From books to broadcasts, seminars to sermons, political missives to posted memes — everyone seems to have “truer truth” than everyone else. I can’t help but wonder, amid the onslaught of voices, why anyone should be inclined to listen to mine. How’s anyone to know what to believe when it comes to advice?
What is factual — and what’s no more than loudly proclaimed opinion?
Somehow, all of these thoughts coalesced into a scene from my childhood. Or rather, I should say scenes from my childhood and adolescence; some tend to blur together on account of their repetitious nature.
There I am, sitting in a church pew. The side pieces are white, trimmed with dark-stained, ornate armrests. The back side of the pew in front of me is the same near-black wood, and at intervals along its length are matching outcrops that hold hymnals with gold foil lettering and faded maroon covers made of cloth that makes a zzzip! sound when I run my fingernails lightly over them.
Oscillating block chords emanate from the organ, reverberating from high ceilings, only to be pulled back down into the pits of stomachs by the weight of pulsing bass tones played on long, black foot pedals.
As the last echoes retreat, a suited man with slick hair solemnly ascends crimson-carpeted stairs and stands before a ponderous, stark white pulpit that matches the end-caps on the pews. As hymnals thud back into their places, the pastor’s eyes dart to parishioners, cowing any last whisperers into awkward silence, until he is sure he has everyone’s full attention.
His speech is slow, measured, punctuated with pregnant pauses. Authoritative. He knows what others do not — could not — know, mysteries that the masses would have no hope of understanding unless by his impartation.
He begins with an object lesson, as a principal might to abashed school children who had played hooky. He tells us that a frog placed into boiling water will jump out; but a frog placed into a pot of cool water that is heated slowly, degree by degree, will sit motionless, unaware, until the water reaches a boil and…